Our gig poster for the Gaslight Anthem features connect-the-dots, leaving the title typography up to the viewer. A bit of controlled graffiti, a dash of interactivity and, depending on your drawing skills, the potential for vandalism.

The poster works well on a purely visceral level. I thought there was something nice about the calm photo juxtaposed with the quiet noise of the red and white dots. Cerebral, yet it is what it is.