AIGA Design Archives

This text-only record is part of the interactive AIGA Design Archives where you can view more details, zoom into images and explore other works in the definitive online resource on American design.

Design Category
Book design, 2002
Design firm
Omnific Studios (London, England)
Collection
(2003) 50 Books/50 Covers of 2002

Description

The first and most obvious requirement was to achieve reproductions as faithful as possible to the “spirit” of the original photographs. The 1,642 original prints were scanned at the National Gallery. With Sarah Greenough and Mary Yakush, Robert Hennessey devised a printing strategy using black plus five colors, plus a selective tint, that could be variously combined to approximate the range of colors in Stieglitz’s platinum, palladium and gelatin silver prints. The second requirement was to reproduce the prints in a proportionate size, accurately reproducing minute differences between prints of a similar size.

Credits
Designer: Derek Birdsall
Production director: Bob Hennessey
Production coordinator: Chris Vogel
Trim size: 9 5/8 x 12 5/8 inches
Pages: Volume 1, 496, Volume 2, 460
Quantity printed: 8,505
Compositors: Elsa Birdsall, Shirley Birdsall, Omnific Studios
Typefaces: Futura, Monotype Walbaum
Printer: Cantz
Paper: Scheufelen PhoeniXmotion Xantur 150 gsm
Binding method: Hardcover, Smyth-sewn
Jacket designer: Derek Birdsall
Jacket printer: Cantz
Author: Sarah Greenough
Editor: Mary Yakush
Publisher: National Gallery of Art