AIGA Design Archives

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Design Category
Book design, 2003
Design firm
Heavy Meta (New York, New York)
Collection
(2004) 50 Books/50 Covers of 2003

Description

This is the catalog for the inaugural exhibition for the new Zaha Hadid–designed Contemporary Arts Center in Cincinnati. The show focused on art as a social experience and encouraged direct interaction between the center’s audiences, works of art, and the building itself. The catalog featured images documenting installations, performances, or videos from 33 different artists, which allowed for greater flexibility in the placement and reproduction of the images.

Just as the exhibition questioned the tradition of the museum as a white box for art to hang in, we questioned the convention of art sitting inside the margins of a white page. Instead, each image bleeds across a double-page spread and prints in reverse on the following left page as if the paper were transparent. In keeping with the exhibition’s intent to actively engage the viewer into its design, the smaller trim size allows for a closer engagement with the content.

The exhibition title, Somewhere Better Than This Place, is taken from a work in the show by Felix Gonzales-Torres. When fanned from the front, the word “somewhere” can be read along the fore edge while the word “nowhere” is visible when the book is fanned from the back.

The book sold out within five weeks.

Credits
Creative director: Barbara Glauber
Designers: Barbara Glauber, Beverly Joel
Jacket designer: Beverly Joel
Authors: Thom Collins, Michel Foucault
Editors: David Frankel, Kathryn Russell
Publisher: Contemporary Arts Center
Trim size: 5.5 x 7.5”
Pages: 224
Quantity printed: 1,000
Typefaces: Fantabular, Grotesque Condensed, Grotesque Bold Extended
Printer: Dr. Cantz’sche Druckerei
Jacket printer: Dr. Cantz’sche Druckerei
Papers: Papier Union Talheim Prima Ballerina 150 gsm text, Mirriboard Silver 270 gsm cover
Binder: Bramscher Buchbinder Betriebe
Binding method: Smyth sewn, softbound
Book type: Image driven
Juror Notes

“One of the few examples of truly original book design this year. The discordant typography, text that wraps the edge, images that read through the type, intimate size and surprising grid made this positively memorable.” Cheryl Towler Weese