• Letters to and from Madame du Deffand and Julie de Lespinasse
  • The Best of Two Worlds
  • The Rittenhouse Orrery
  • The Seven Voyages of Sindbad the Sailor: From the Arabian Nights Entertainments, Woodcuts by Philip Reed
  • John Marin, Watercolors, Oil Paintings, Etchings
  • The Twelve Moneths and Christmas Day, From ‘Fantastickes’
  • Leonardo: Master of the Renaissance
  • The Wonder Cat
  • To The Sincere Reader
  • The Fifty Books of 1968
  • InterWest Partners Brochure
  • American Silver Collected by Philip H. Hammerslough
  • The Rockefeller McCormick Tapestries: Three Early Sixteenth Century Tapestries, With a Discussion of the History of the Tree of Life, Volume 1
  • Chester Noyes Greenough: An Account of His Life as Teacher, Dean, Master & Scholar
  • Big Tree
  • Virginia & Leonard Woolf book
  • The American Rhodes Scholarships, a Review of the First Forty Years
  • A Christmas Carol in Prose, being a Ghost Story of Christmas
  • Two That Were Tough
  • CAT Limited 1996 Annual Report
  • New Aspects of John and William Hunter
  • Printing For Theater
  • The Athenaeum Gallery, 1827–1873: The Boston Athenaeum as an Early Patron of Art
  • By a Vote of Congress
  • GVO Brochure Series
  • Early American Rooms, A Consideration of the Changes in Style between the Arrival of the Mayflower and the Civil War in the Regions Originally Settled by the English and the Dutch
  • Standard Point Gauge
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